All about Belur, Halebidu, Shravanabelagola.....

Where is Belur, Halebidu & Shravanabelagola in Karnataka(India)?

The above Karnataka Map show where is the Belur, Halebidu, and Shravanabelagola.

A short Details about Belur Temple,

***A short Details about Belur Temple***

Now Belur is a small town but long back it was the Capital of a powerful Empire. The rulers of this empire were called as Yadava Kings. They were first under the control of Chalukyas but later became independent. Afterwards the Cholas and Pandyas in South India were subject to paramountancy of Yadavas.

Among Yadava Kings, Vishnuvardhana got rid of Chalukyas. It is said that King Vishnuvardhana built the main temple of Channakeshava. Thousands of visitors from in and out of India i.e. from foreign countries came to see the magnificent architecture of the temple. Students of Art Colleges never miss to see this marvelous work of the temple. Sometimes they come and stay here weeks together to go through details regarding the charm and beauty of the sculpture. The innumerable variety of ornaments, the doorways, the ceilings, etc., the birds, the animals, dancers and other figures are fully decorated as if they are full of life and vigor with variety of actions and movements.

From inscription it is learnt that Vishnuvardhana got the temple built in memory of his victory of Talkad against Cholas and in some place it is said that Vishnuvardhana got built this temple as a sign of his having adopted Vaishnavism as advised by the great guru Sri Ramanujacharya. If a detailed study of the structure is taken, one may know the star-shaped Garbhagruha, Shukanasi and the Navaranga the inside pillars, the outside work i.e. pillars and ceilings, might have been done during the reign of Vishnuvardhana. The large niches, friezes and sculptures on the outside and also the beautifully designed inside pillars and ceilings including three doorways were carved during his time.

The Garbhagruha was surmounted by a high star-shaped tower of brick and mortar supported by wood work and plated with gold guilded copper sheets. Standing on a high platform on the top of a raised ground, the structure has a commanding look. The beautiful image of Keshava called as Vijaya Narayana was installed in the sanctum in 1117 A.D (in the Christian era).

At about the same time. Vishnuvardhana’s senior Queen Shanthaladevi though inclined to Jainism did not fail to take part in the Vaishnava temple work. She got built the Channigaraya temple similar in form to the main temple, though less elaborated and less decorated.

The figure of Channigaraya installed by her is about the same that of Keshava in the main temple, but smaller in size. It bears the inscription of Vijayanarasimha I, son and successor of Vishnuvardhana who made grants for the maintenance of the temple and for regular poojas. The remaining of the Durbar scene to the north of Navaranga doorways shows that some improvements might have been made in the temple.

Afterwards Veera Ballala II got built a fine pond called Vasudeva Thirtha to the north-east of the main temple in 1175 A.D. which till now open on all sided was covered with perforated screens and three doors were provided with massive buttoned doors. Supporting towers were erected on either side of each doorway while in the interior of the temple, the Navaranga was separated from the Sukanasi by insertion of beautifully carved pot-stone doorway.

Further in the premises of the temple a shrine with charming sculptures like those at Kedarewhsara Temple at Hlebeed was built for the God Veera Naarayana. In the days of Veera Ballala II, one of his officer Somaya Danayaka got the central tower rebuilt with brick and wood.

When the Tugalaks invaded the Deccan their officer Ganga Salar of Kalburgi lead seize to the temple and burnt its gateway. Shortly afterwards he founded the Bahamani Dynasty.

The Vijayanagar Emperor took much pains and did all that was required for the temple.

In 1397 A.D. Gunda, a General under Harihara II, constructed the seven storied gopuram in the plae of Mahadwara, which was burnt by Ganga Salar.

After sometime, three important buildings i.e., the Soumyanayaki Temple, the large Mantap on the West and the Andal Shrine were put up behind the main temple. It is learnt that materials from the ruined Hoysala buildings at several places were freely used.

A good part of Navaranga of Channigaraya Temple was also rebuilt during Vijayanagara period while a number of minor erections were done here and there in the compounded of the temple like the Deepashambha (Light Pole) and the Yagashala where the Sacred Fire in the temple is lit.

During the 15th Century the materials of Shiva and Jain Temples were used for the construction of Naganayaka Mantap right in the front of the main temple (which is no more in existence now).

The Tuluva Emperors of Vijayanagar had this deity as their family God (Kuladevaru) Several repairs and minor constructions were undertaken by the Nayaka chiefs of Belur.

During 1879 the Vimana tower became so ruined that it had to be removed to save the main temple from collapsing.

Beginning of the idols of east doorway and extending beyond he north and south doorway up to the outer wall of the Sukanasi runs a jagati or railed parapet on which are sculptured in succession from the bottom of the following horizontal friezes.

Elephants.
Cornice with bead work surmounted by Simhalathas.
Scroll work with figures in every convolution.
Another cornice with bead work.
Small figures mostly female in projecting ornamental niches with intervening figures of Yakshas seated inward.
Delicately carved figures, mostly female between pedestals.
Caves with bead work a thick creeper running along the edge of the upper slope adorned with miniature turrets, lions and beautifully carved tiny figures.Brief story of Mahabharatha, Ramayana.

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Some important...

Some important figures commencing from the right of the east doorway:

The durbar of King Vishnuvardhana who built the temple in 1117 A.D.
The story of Bali, the King of Demons, making gifts to Vamana, incarnation of Vishnu.
Kalingamardhana(Krishna)
Vishnu with Hanuman and Garuda.
Shiva seated on Nandi.
The story of Prahalad (left of the east doorway).

The durbar of King Narasimha, the son of Vishnuvardhana.
The story of the churning of the milk ocean (Samudramathana).
Vishnu flanked as usual by Hanuman and Garuda.
Killing of Kamsa by Krishna.
A figure of Ranganatha reclining on a beautifully carved serpent.
Sri Lakshminarayana flanked by choury bearers.

There are 42 bracket figures on the corner out of which 38 are outside of the temple and 4 are inside. Every figure attracts the visitors on its own merits.

Beauty and Mirror: Lady holding a mirror in her left hand and looking at her beauty in it.
Pet Parrot : A parrot sitting on the fore palm of her right hand. It looks like conversation with her pet.
Lady holds the folded betel leaves in her left hand: Her maid on the right side holds coloured water in vessel and the maid in the left is filling it to a syringe.
Lady in her make- up: She holds folded betel leaves in her left hand and writing to her lover. Her maids on both sides are rendering help.
A monkey is pulling the edge of her sari. She is going to beat it with a twig of a tree made out of the same stone. You can see the teeth in its wide opened mouth.
The Huntress: You can see a bird sitting on the canopy behind, she is aiming her arrow at the bird.
Hair dressing : She is dressing her hair after the bath. The attendants are holding flowers and toiletry.
Thribhagir Nritya(a type of dance) : A lady is dancing stylishly by bending her body into three portions, one from the waist to the chest and another upwards. This is said to be the most difficult one, so far no other dancer has been able to exhibit.
A Sham, She Saint: She is in disguise as a saint. She holds a rod with a skull at the top in her left hand.
Drum Dance : She holds in her left hand a drum and she is playing upon it with her right hand. You can observe the rope how natural it appears.
The Flutist : She is playing on her flute. Her maid on the left side is sitting to the tune of the flue.
Musician: Se is singing with time. You can see her teeth in her open mouth while singing.
World bewitching beauty : Her hands and legs are cut out very nicely. Look at the canopy above her left shoulder. You can see a jackfruit and a fly on it. A lizard is planning to catch the fly. You can see the natural pose of the lizard.
Violinist : She is a violinists. She is standing holding the instrument in her left hand. Her maids are arranging for a concert.
A Curly haired beauty : She holds a mirror having a handle. She is arranging the curls on the fore-head with her right hand finger.
The huntress : She is plucking a mango with her right hand.
A heroic huntress : She is dressed up as a hunter and aiming at the birds sitting on the creeper above.
Masculine Woman : She is wearing a beard and a moustache like a man and is playing on her drum.

Before commencement of the 19th bracket figure you can see the following :

i) Shive-jalandhara : In the corner Shiva is holding a fork like a spear. He is trampling a demon under his feet.

ii) Poothani : There are varieties of arms in her hands. You can see a scorpion and a snake cut on her stomach to show that she has much vemon.

iii) Bali- the demon Emperor: Look at the wall. Vamana is begging for three feet of Earth before Bali. The demon guru Shukracharya is also seen.

iv) Ravana lifting the Kailas mountain : Ten-headed demon King Ravana is holding up Kailas mountain. You can see Lord Shiva is sitting with his beloved Parvathi on the top of the mountain.

v) Chamundi : The Goddess Chamundi is killing the demon Mahishasura.

vi) Brahma: The artist shows skill by carving the chain, it is highly natural and realistic.

vii) The Sun God : The Sun God is coming upon his seven horsed chariot.

viii) 20the Century Lady: Latest fashion, having dressed herself in fine clothes and tied her hair in the latest fashions with ribbons. She is ready to go for evening walk. You can see even a bull-dog with chain.

ix) Arjuna is shooting the fish target : Arjuna is shooting the fish looking at the shadow reflected in a bowl of oil, placed just below the target pillar.

Beginning of the 19th dancing pose:

The Arch Dancer : You can observe the natural and artistic facial expressions on her face. The maids are playing upon the musical instruments.
The Songstress :The songstress holds metallic time keepers in her hands.
The Divine Dancer : She is dancing cheerfully. Her maids are playing upon the musical instruments.
The Hunters : She holds in her left hand a fork like spear with skull at the top.
Successful Huntress : She is returning from a successful hunting. Look at the decoration of the bow on her left shoulder. Her maids are carrying the prey of their hunt. On the right side, one maid is removing the thorn which is plucked to other maid’s leg.
Beauty Dance : She is practicing her dance. Her maids are helping her by playing on their instruments.
Bhasma Mohini Dance : The figure illustrates the epic story of God Vishnu who took the form of Mohini. This figure is said to be carved geometrically. The right hand, the tip of her nose, the left breast, the right thumb are all in a straight line.
Beauty and the Scorpion : The lady after finishing her bath and while dressing she look at a scorpion under the folds of her sari. She is frightened and shakes her sari. The scorpion falls down. See the natural face of the inscription.
A Beauty in wall : She is fully dressed and is waiting for her lover. Her maids are helping her with toilet articles.
A Gypsy Girl : She hold in her left hand palm leaves and holds the right hand in speaking pose. Look at the styled hair.
A Beauty after a Hearty Meal : She is returning from her dinner and is about to retire for rest. She is holding betel leaves in her left hand.
Nagaveena Dance : The expert musician is playing on her violin which is in the form of a snake. The left side of the violin resembles the head of a snake.
Proud Lady : She is fully dressed and has put on all sorts of ornaments on her body. She is looking at her beauty in proud through a mirror. Her maid is thinking that she is the only beautiful woman in the world.
A Fortune Teller : Saw the gypsy girl. She holds in her left hand a small drum and a time keeper set in her right hand. She is foretelling the future to the world.
A Kite Dancer : She is dancing imitating the play of flying a kite. Look at her standing pose. She is standing as if she is pulling the string of the kite using both her hands. You can see the ear ornaments like star shape and hair style like a peacock.
A beauty with her hair : She has tied her hair into a fine knot. This is up-to-date pony-tale.
A beauty in perfect make-up : the lady has put on her best dress and ornaments and is ready to go for a dance. A small attainder is putting on her the ring. She is holding a creeper in her left hand for support.
Drum dance : She has a beard and moustache like a man. She looks neither male nor female. She is dancing holding a drum in her left hand.
A Songstress : She is singing with the help of time keeper sets. You can see the open mouth. Her maids are helping her with their instruments.
An arch dancer : She is dancing to the tune of the fun of her accomplice on both her sides. As I explained in the very beginning you are requested to enter inside the temple to see the remaining four brackets along with other carvings and Darshanam of Lord channakeshava.
Beauty with her pet parrot : A lady holds a creeper in her right hand. A parrot is sitting on the fore palm of her left hand. She looks as if she is having a conversation with it. She is having a bangle on her right hand and can move up and down.
Shantaladevi : She is dancing. See the canopy behind. She is wearing a gem just above the middle of the forehead.
Gandharva Dance : she wears on her fore arm, a good number of bangles which give an impression of moving to and fro.
Kesha Shrungara :She is wringing her hair to squeeze the water after her bath. You can see the drops of water collected at the tip of her hairs.
The work inside the Keshava temple is even finer is several respects than that outside. The image of Sri Keshava or Vijayanarayana as it is named, is a very handsome figure about 6 feet high with Prabha standing on a pedestal about 3 feet high, flanked by concerts. It has four hands, the upper two holding a Lotus and Mace. There are tem incarnations of Vishnu sculpture on the prabha. The sukanasi door-way flanked by dwarapalakas is elegantly executed. Its pediment with a figure of Lakshminarayana in the center shows excellent pose.

The pillars all differ from one another in design. Especially two pillars in the Navaranga deserve special interest. The well known Narasimha pillar used to formerly revolve. One of the figures is a tiny bull which is known as Kadale Basava. A small space is left by the artist which carved this pillar as challenge to any artist.

Another Mohini Pillar is carved proportionately. The ceilings over the verandas show better work.

Kappae Channigaraya : This is situated to the south of Sri Keshava Temple. The cells have the figures of Gangpathi, Saraswathi, Lakshminarayana, Chamundeshwari and Venugopala.

The Temple of Soumyanayaki and Ranaganayaki, beloved of Sri Channakeshava, may be seen.

Gravity Pillar : It is about 42 feet high of single stone and it is standing on its own weight.

Other small temples are Ramanujacharya, Krishna, Narasimha, Anjaneya, Rmachandra.
In the courtyard near the pond there is a pavilion wherein the statues of Vishnuvardhana and Krishnaraja Wodeyar are kept.

There is a Garudagambha and Garuda (Eagle) statue facing towards Sri Channakeshava.

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BELUR in your fingertip, How can we go to Belur, Tour Operators in Belur

^^^BELUR in your fingertip^^^

Total Area Size of Belur is nearly 2.85 square kilometers
Altitude of the Belur is 975 meters
Climate in the Belur is as follows:
o Summer is 20-35° Celsius. April is the Hottest Month in Belur.
o Winter is 25-28°Celsius. December is treated as Coolest Month in Belur.
Rainfall is 110 centimeters.
Cotton clothes available entire year except in the month of December.

District:-Hassan
Hassan :– 38km Bangalore – 220km
Hassan :– 38km
Mangalore: - 154kmBangalore – 220km
STD Code:- 08172

~~~How can we go to Belur~~~

Ø By Roadway:- Regular buses go from Bangalore city (222 kilometers), Halebid (16 kms), Hassan city (40 kms), Hospet (330 kms), Mangalore city (124 kms), Mysore city(149 kms) to Belur.

Ø By Train:- Hassan is just 40 kms from Belur. Banavara and Arasikere are also near Belur.

Ø By Air:- Bangalore airport is the nearest to Belur (222 kms)

How To Get There :-

Distance from Hassan:- 37 Kms
KSRTC Bus Fare:- Rs.13/- (From Hassan)
Route:- Hassan - Mudigere route.

Connecting Belur

The nearest Airports are Bangalore 222 Kms & Mangalore 194 Kms. The nearest Railhead is Hassan which is connected to other major junctions like Bangalore, Mysore & Mangalore.
The best way to reach Belur is by keeping Hassan as your base. From Hassan, Belur is just 38 Kms away and a host of transport options can be found to travel to these points. Your Hotel can provide taxis and information on buses that could take you between Hassan and Belur.

~~~Tour Operators in Belur~~~

KSTDC organises conducted tours to Belur, Halebid and Sravanabelagola. Those of you who wish to go on your own to Belur, stay at Hassan, check out the route to Belur and Halebid. You can cover both the places in 4 hours time.

Places of Interest, Surrounding Places of Interest, Accommodation, Related Links.

***Places of Interest***

Chennakeshava Temple: The main temple to be seen here is the Channakeshava temple. The main structure of the temple, which is star shaped, is a homogenous architectural unit on a raised platform. Everything is carved in blackstone looking like metal. Facing the temple, at the entrance, stands the winged figure of Garuda, Lord Vishnu's carrier.

Ugranarasimha (Wall Carving): The 650 charging elephants on the frieze around the walls outside are all different from each other. The exotic bracket figures (Madanikas) on the walls of the temple are serene, playful and amorous, enhancing the overall effect of this pinnacle of architectural excellence.

Darpana Sundari (Beauty Mirror): Inside, even in the darkness you can see the hand-lathe-turned shining pillars, each unique in its splendor. On the smooth circular platform in front of the shrine you can see the beautiful Shantala Devi, queen of King Vishnuvardhana. The spotlight is on the famous bracket figures on the ornate ceiling. All these figures have been inspired by Shantala Devi's Voluptuous beauty.

Sculpted limbs undulated in lyrical lines. One sculpted beauty communicates with a pet parrot whose tail is like that of a peacock another wrings water from her long hair and you can see the drops collected on hair ends. The delicacy and attention to the fines details here are incredible.

---Surrounding Places of Interest ---

Halebid, which also houses some famous temples is 17 Kms from Belur, the other nearby famous place is Sharavanabelagola (approx. 85 Kms), which has the biggest Gomateshwara Statue.

Accommodation

Since Belur is 38 Kms from Hassan, we recommend you to stay at Hassan that offers a variety of Hotels. The hotels that are recommended by us are Hotel Sri Krishna, Suvarna Regency, Southern Star Hassan, Hassan Ashok, Hoysala Village Resort etc.

Accommodation at Belur:

Sri Annapoorna Lodge
Temple Road, Belur.
Rooms: 08
Tariff:
Double Bed Room: Rs.150/-
Conference Hall Capacity: 100 Max.
Conference Hall Charges: Rs.300/-

Travellers Bungalow
Department of public works, Belur.
Rooms: 05
Tariff:
Double Bed Room: Rs.60/-

Sri Vishnu Regency
Main Road, Belur.
Rooms: 22
Tariff:
Single Bed Room: Rs. 50/-
Double Bed Room: Rs.100/-

Hotel Mayura Velapuri
Temple Street, Belur.
Rooms: 22
Tariff:
Dormitory (20 Beds): Rs.35 per head.
Single: Rs.135- Rs.160/-
Double Bed Room: Rs.175- Rs.200/-

Click here to see the list of hotels at Hassan.

Related Links:

Rotary Club of Belur - District 3290
Belur Math - The Headquarters of Ramakrishna Math and Ramakrishna Mission

HALEBEEDU TEMPLE

***HALEBEEDU TEMPLE***

The great city of Dwarasamudra flourished as a Capital of the Hoysala Empire during the 12th and 13th centuries. During the reign of Veeraballala II, the grandson of Vishuvardhana, it reached the greatness of its zenith. Veeraballala II extended his empire from sea to sea between the Kaveri and Krishna rivers.

On account of certain reasons this come to decadence stage. The renovation work was undertaken by the state Government about 30 years ago and the town as well as its area gradually improved. The climate is pleasant. There are buses running from Hassan, Arasikere and Belur. There is a big tank, which feeds thousands of acres of land wherein sugarcane and paddy are grown.

The population is about 3,000. It is a hobli headquarter having medical facilities and educational facilities to study even up to Pre-University Course in India.

A good number of visitors come from all parts of India and foreign countries to see the world famous temple. There are Hotel and Taluk Board Pravasi Mandir facilities in the town. The Archaeological Department has appointed guides for the help of visitors.

The sculptural work of the temples is based on shastras and importance. One can collect the information to his maximum desire.

The town is only famous for it was the capital city because of the surrounding places are of historical prominence of the neighboring villages such as Rajanasiriyur, Huvinahalli, Karikattehalli, Hulikere and Basadihalli, etc. were named for their special importance.

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Hoysaleswara Temple

***Hoysaleswara Temple***

The temple has got very good appearance. The Rashtrakutas built the big tank in front of the temple in the 9th Century. The town was named as Dwarasamudra. If one stands on the platform of the temple and sees around he will see the hills opposite and two big bulls facing the temple and Ganesha figure on the south. These attract the attention of even the children. The big temple consists of two temples, built inside. There are four doors in total.

The minute sculptural works in respect of Dwarapalakas, i.e., crow and ornament can never be seen anywhere else. The bracket figures that were fixed to the roofing have been stolen and only one remains as a token.

The figures carved in this temple are bigger than those of Belur, and some of the figures are carved on both sides of the stone. Those who visit Belur temple will visit Halebeed temple also.

The Capital of Hoysalas during the 12th and 13th centuries A.D. is now called as Halebeedu

This city was built during the 12h century. It flourished for about 150 years in the Deccan. During 1311 A.D MalliKafur looted this city and carried away all the wealth on camels. After some time, Mohammed Bin-Tugaluk invaded and looted the entire wealth of this city in1326 A.D. This was reduced to poverty after the death of the king Ballala III.

During the 17th Century the Vijayanagar dynasty changed its Capital to Belur and the ruined city was called as Halebeed.

The Archaeological Survey of India is doing research work with the hope of getting the artistic figures. The existing ones are highly appreciated by the western artists.

The important temples of this town are as:

1. Hoysaleswara temple
2. Kedareswara temple
3. Jain Mandira
4. Sri Ranganatha temple in the middle of the town.

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Important Historical places in Halebidu

HOYSALESWARA TEMPLE

--HOYSALESWARA TEMPLE--

Ketumalla, the chief of staff of Vishnuvardhana, built this temple during 1121 A.D. Even then it is learnt that it took 105 years to complete.

Even now there is some incomplete work. Both the temples are joined by one veranda from outer views. It looks like star just as Belur. The God on the northern side temple is called as Shanthaleswara and that on southern side is called as Hoysaleswara.

These Shiva Gods are in the shape of Linga, indication to small bull in front of these Gods big bull are kept in stone mantaps outside in front of each temple. They have been fully decorated by stone ornaments around their neck. Behind the bull in a mantap we can see big sized Suryanarayana standing with seven horses and Arunadeva. It is said that these temples joined into one was built by Ketumalla.

As per the opinion of Ferguson, the archaeological expert, it was told that this is the reflection of the Indian Vastushilpa.

The innumerable number of figures carved on the outer wall can nowhere be seen in ancient sculpture. If we go around the temple in three stages we can see the durbar of Lord Shiva, the childhood plays of Bala Krishna, the fight between Karna and Arjuna across third wall, we can see the lifting of Govardhanagiri by Krishna on the southern side, Gajendramoksha on the western side and the shooting of Matsya Yantra can be seen.

The story of Krishna and Arjuna can be seen. The monkey army giving the ornaments to Sri Rama Chakra Vyuha Kote; Krishna and Arjuna getting down from the chariot and taking bath in the pond on hearing the death news of Abhimanyu.

The demon king Ravana is lifting Kailasa Parvatha; these are all the important figures.

The rows of Makara and Hamsa as well as swan carved on them. The carving of several forms of Vishnu in Shiva temple shows the equal view of Hoysala Kings among other Gods. It will be very pleasing to see the dancing pose of Shiva carved above the walls.
Even though there are thousands of carved figures one resembles the other. All the real poses of man have been carved on the wall.

[[[[[[satish]]]]]

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KEDARESWARA TEMPLE, BASADI HALLI (JAIN MANDIR), THE TEMPLE OF SRI RANGANATHA

```KEDARESWARA TEMPLE```

Veerballala II and his younger Queen Abhinava Ketala Devi built the temple of Kedareswara in 1319 A.D. This temple was praised by Ferguson two centuries ago as a “Gem of Indian Architecture” He expressed that if this temple had been illustrated in any thing like completeness there was probably nothing in India which would have conveyed a better idea of what its architecture was capable of doing.

Unfortunately portions of the temple collapsed more than 70 years ago and it was not possible to bring it to its original shape.

In the beginning, its Navaranga hall a smaller shrine on either side while over the main shrine raised a beautiful star-shaped Vimana (like aero plane) of smooth stone. The other walls, the tower, the doorway and the ceiling were more magnificently carved and the temple looked like a divine piece of jewellery than a building.

The basement of the temple which stands on a high platform has a large number of sculptured friezes showing the marching of Elephants, charging Horse, Lion, Mythical animals (Makara), Swans and finally designed creeper scrolls, they are all from stories of Ramayana, Mahabharatha and Bhagavad Geetha in a large sculptured band.

The upper parts of the wall bear nearly 180 beautifully carved images of various Gods and Goddesses. Those Gods and Goddesses stand under elegantly designed floral arches and some of them are finely shaped and finished.

Inside the temple, we can see a few elegantly carved star-shaped pillars but the ceilings are of greater interest. Mostly they are some simple dances full of carvings. The doorway also shows a greatness of fine workmanship.

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BASADI HALLI (JAIN MANDIR)

There are three Jain Temples to the south of Basadihalli, two furlongs from Hoysaleshwara temple. Out of them Parswanathaswamy temple is an important one. The construction of this temple being of high grade and the appreciable carvings of the door tops high in Halebeed work. The twelve pillars that hold the doom have been cut in a fine and attractive manner. We can see even our image on each pillar. The pillars have been lathed well that the images differ from one another.

The faces can be seen just as in a mirror. The Parswanathaswamy figure is made out of black stone and it is 14 feet in height. A seven-headed serpent has been carved on the head of this figure having curly hairs.

The central mandir is an Adinathaswamy and that is east of Shanthinathaswamy.

THE TEMPLE OF SRI RANGANATHA

The figure is 5-6 feet in height and sleeps on a serpent. God Brahma has born in the lotus of his Navel (Nabhi) Aridevi is serving him at his feet. The figure is of fine art. Astadikpalakas have been made in its arch.

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Halebidu interesting facts,Places of Interest in Halebidu

Halebidu interesting facts:-

Total Area of the Halebidu is nearly 2.248 square kilometers
Climate of Halebidu:
*In summer it is 20-35°Celsius. April is the Hottest Month in Halebidu.
*Winter: 14-22°C. Coolest Month: December
Altitude of the Halebidu if 3150 ft / 960 meters
Rainfall occurs in June-December which is 86 centimeters
Best time to visit the Halebidu if from October to February

Places of Interest in Halebidu

Halebid is nearly 17Kms from Belur(Dwarasamudra) and 27 Kilometers north west of the Hassan city. Halebid has quite a few striking gorgeous Hoysala Temples and Jain Shrines.

Hoysaleswara Temple:

The figure in the Halebidu is larger compared to Belur and they are marvelously chiseled with using shinning black stones. The entire Temples are with the different type of goddesses and gods’, birds, dancing girls/ladies, and also with animals. There is an also a museum on the lawns which has a sculptures which is meant in 12-13th century and the gold coins in use in that era.

Shiva Dancing:

The Hoysaleshwara temple in the Halebidu is standing on a platform like a chest is a sculptural burlesque luxuriously gifted with most finely thorough scrollwork in stone. Outside the Temple there is a Nandi Sculpture (sacred bull, a vehicle of the Lord Shiva) and a hillock where a palace stood, linked to the temple by a way. Dark depts. inside it. Queen Shanthala Devi beckons from a niche.

Lord Ganesha:

Another famous temple in the Halebidu is the Keddareshwara Temple which looks like the sculptor’s made by a genius. Nearly 1 Kilometer from the Halebid Temples is the Basti Hills where there are a so many Jain Bastis with glinting black stone pillars.

Other interesting surrounding Places of Halebidu :

The surrounding places of Halebidu if Belur and Shravanabelagola. Belur is nearly 17 kilometers and Shravanabelagola is nearly 85 kilometers from Halebidu.

There are also Museum managed by Archeology Department of Karnataka, you can visit when you go to Halebidu the entry fees if only Rs.2/-

A Distance from Hassan city to Halebeedu is just nearly 31 kilometers.

Karnataka State Road Transport Corporation Bus charges are as follows: (Please ask your ticket from the conductor because traveling without ticket it offence, if you have paid the bus charge we request you to demand for ticket)

Hassan city to Halebeedu: Rs.11/-

Belur to Halebeedu: Rs.7/-

There are also vehicles parking facilities are also available in Halebidu its just Rs. 15/-(But no security and shelter facility for your vehicles)

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Getting to Halebid, Accommodation, Local Transport,Tour Operators,Travelers Assistance Guidebook

Getting to Halebid

Hassan is the nearest city to Halebid and you can travel between the two cities either through local cabs that can be given by the Hotels where you are residing if not you can go through other local travel agents.

The nearest Railway station is Hassan that is connects to other major cities like Bangalore, Mangalore and Mysore.

The nearby Airports are in Mangalore city that is 191 Kilometers. And Bangalore city, which is 219 Kilometers.

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Accommodation facilities at Halebeedu:

Travellers Bungalow PWD,
Halebeedu.
There are only 05 rooms are available
Tariff:
Double: Rs.60/-

Hotel Mayura Shantala
Halebidu
Hassan District – 573 121
Karnataka, India
Tel: 08177-73224

Accommodation at Belur:-
Hotel Mayura Velapuri
Temple Road,
Belur – 573 115
Hassan District, Karnataka
India
Tel: 08177-22209

We recommend you to stay at some of the good hotels which is located in Hassan. Because it is just 31 kilometers from Hassan.

Click here to see the list of hotels at Hassan.

Food Specialties

There are no specialty restaurants are available at Halebidu. But you will get good hotels in Hassan city, which is just 31 Kilometers from Halebidu.

Tour Operators to Halebidu:

Karnataka State Tourism Development Corporation (KSTDC) organizes tours to Halebid, however concerned tourists may avail the services of knowledgeable guides who can be contacted nearby any tourist spots. We recommend you to not to go with persons who don’t have Government Tourist Guide License that is given by both the Karnataka Tourism Department as well as Archeological Survey of India.

Belur, Halebid and Shravanabelagola Tour:-

Daily (one day trip)
Departure time: 7.15 a.m.
Returning time: 10 p.m.

Places to Visit: Belur, Halebid and Shravanabelagola.

Charge is Rs. 300/- (Aerotech),

(Government charges may change at any time without prior notice to us)

Local Transport Facilities in Halebidu:

Auto Rickshaws: There are Auto Rickshaw facilities you will get their Please check with your Hotel reception as to rates and method of costing before you board an auto rickshaw.

Buses: Buses are plenty but crowded too. We recommend intercity buses from KSRTC for your travel.

Private Taxis : They are available with most hotels and generally run on standard packages. These are recommended means of communications. These taxis come in two categories, they are either petrol or diesel driven. Petrol driven taxis are more expensive than diesel driven cabs and they can be more comfortable as well.

Travelers Assistance Guidebook

Foreign Exchange Outlets : Since this is a small place, there may not be any money changer. So we recommend that you carry enough local currency and do not expect to find any money changer at Halebid.

Health Hazards : We suggest drinking mineral water. It will avaible at all small shops and big shops.

Tips on Tipping : No tipping is required for travel on Auto Rickshaws. For Taxis and Hotels any tipping between 5 to 10 % is recommended

Using Local Telephones : Private run telephone Booths have both STD and ISD facilities. These Booths charge the government telephone rates. We suggest that you ask for the bill in these booths before you make the payments.

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HONEYMOON

** HONEYMOON**

Honeymoon in Halebid and experience a charming land steeped in the past, romance and anonymity.

Halebid enchants recently married couple with its intrinsic romance. See the antique Hoysaleswara Temple & tour other stunning Halebid scenery on your honeymoon tours.

An enjoyable weather through acres of sugarcane and paddy interspersed with momentous shell makes Halebid a charming honeymoon place, with its rich normal beauty. The attractions of Halebid, honeymoon in the middle of a bang of sculptural magnificence.

Move towards the remnants Jain Bastis of 12th century, which adds a spiritual quality to ethnic Halebid, next you will see the Trikuta Temple, Kedareshwara Temple, and also the doppelganger Shiva Temple and you will feel that as your honeymoon is going in some heaven but don’t forget that your are in Karnataka South India’s charming Halebid.

One good news to newly married couples’ there are so many local honeymoon tour packages held by government and private packagers.

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A walk in the roads of Halebidu

History of Shravanabelagola

~~~~SHRAVANABELAGOLA~~~~

This town is located in the midst of two hills. There is a tank in the midst of this town called “BELAGOLA” and the town is called by the same name.

This town is 8 miles from Channaraayapatna in Hassan District. Here is a Town Municipality for the past 70 years.

Sravanabelagola is a holy place for Jains. Their Guru is residing here in a Mutt. There is a Sanskrit Patashala to study Sanskrit and Shastras.

This town has got some historical references, which add to the sensity and also importance of this place. According to the tradition of the Jain Bhadrabahu, one of the Sritakavalli as the successor of Vardhamana (Mahaveera) passed away here in a cave on Chandrabetta while elading a migration to the South from Ujjain due to a 12 year famine which he had predicted as his chief attendant by the Maurya Emperor Chandragupta who had abdicated the throne and in accordance with Jain rules adopted the life of a hermit.

There are ancient monuments in and around Sravanabelagola. There are monuments of rare excellence and skill got executed by the illustrious Ganga and Hoysalas who had profound sense of duty and ardent devotion to religion. The chief monuments are found in two sacred hills known as the Vindhyagiri and the Chandragiri.

The Kalyani : - In the heart of the town there is a beautiful pond called as the Kalyani(bathing lake) and the Chandragiri.

The Vindhyagiri :- The hill is 470 feet above the surface of the soil. The hill is of one sold rock and about 500 steps have been cut-out in the rock. On the hill thereis the Brahmadevaru temple. Besides there are the Chowwisa Thirthankara Basadi, Chennana Basadi, Odegal Basadi, Tyagada Brahmadevaru Kambha, Akhanda bagilu and Gullakayajji.

The most important monument is the image of Sri Gomateshwara. It is nude and stands erect facing the north. This monolithic image is carved beautifully with accurate sense of proportion. The face presents a serene expression and there are curly hairs over the head. It appears as though it is an ant hill and creepers encircle the things upto the waist. The image is simple, gigantic but majestic. It is about 57 feet high. There is no monolithic image of this height in the whole world. In the opinion of Ferguson ‘Nothing grander or more imposing exists anywhere out of Egypt and even there no known statue surpasses its height.

This image was got installed by Chavundaraya, the Minister of the Ganga King Rachamalla Sathyavakya, in 988 A.D according to inscription.

In consideration of the supreme importance the Government of Karnataka constituted a committee known as the Gomateshwara Research Committee with the Director of Geology as its Chairman. Preservation of the image intact was their main task and they have accomplished that laudable task.

The Central Department of Archaeology is responsible for its protection as a National Monument.

Numerous visitor arrive at Sravanabelagola to gaze at this and other monuments. But the most important occasion on which several thousands of persons from all over India pass through this place is a the time of Mahamastakabhisheka.

Mahamastakabhisheka : As the name suggests it is the anointing ceremony of the image; usually the auspicious occasion coincides once in 12 years.

According to Jain tradit9ion Gomateshwara is not a mere monolithic image. He is regarded as Jain saint and in fact is the symbolical expression of Bahubali, infact the image is of Bahubali Swamy, thereis a story as to how image was got carved.

Purudeva was the first Thirthakara. He had two sons by name Bharatha and Bahubali. Once they quarreled amongst themselves for the sake of kingdom. In that fight Bahubali succeeded. But he was overcome by grief and shame of seeing his defeated brother. His mind was transformed. He renounced the kingdom in favour of his brother and retired to penance and attained Kevalagnana and Bharatha got his image erected in Paudanapura.

After several years the hill was covered by ant-hills and serpents. He came to be recognized as Kukkuteswara. Only the pious could see the image, In course of time Chavaundaraya who had heard of the story resolved to have an image of the same description installed on the hill at Sravanabelagola. He accordingly discharged on arrow to the top of Indragiri and the figure of Gomateshwar flashed. The image was got carved under the supervision of a sage by name Arishtanemi.

It is to such an image is associated a good deal of traditional sanctity and the “Mahamastakabhisheka” is performed. Just on the eve of the ceremony scaffolding will be got constructed to help the priests and devotees to go up and offer worship. Worship will be offered according to Jain Agama. Just in front of the image will be placed articles of worship with 1008 pots filled with scared water and coloured in ceremonious manner. After sacred bath with milk and ghee is over the priest arrange for the great Abhisheka. Under the guidance of the Holy Swamiji, the priests pour 1008 pots of scared water over the image simultaneously by chanting Mantras. Then they pour Milk, Curds, Ghee, Sugar, Almonds, Gold flowers and Silver flowers wealthy devotees offer bids for the Kalasas, to obtain them and take the rare privilege of performing Abhisheka.

It has become customary to offer the first change of worship to the Ruler of Mysore who is held in great reverence. This ceremony is a rare one and it is arranged for the peace and prosperity of mankind.

CHANDRAGIRI (Chikkabetta): Just opposite to the Vindhyagiri a small hill is situated. Steps have been cut out in this hill and the ascent is not difficult. There are seven monuments of interest. They are :

Ø The cave of Bhadrabahau : The sacred feet of Srutakavali are being worshipped even now. It is said that Chandragupta Maurya worshipped those sacred feet till his last days.

Ø Kuge Brahmadevara Kambha : At the top of the pillar is seated the image of Brahma over it.
Ø Shantinatha Basadi.

Ø Bharateshwara : To the north of Shanthinatha Basadi.

Ø Mahanavami Mantapa.

Ø Parswanatha Basadi.

Ø Manastambha Basadi: A beautiful pillar with image of Jain seated in a small mantap with Gopuram on it is believed that this pillar was constructed in the 17th century by a Jain merchant by name Puttaiah.

Ø Kattale Basadi : This is situated to the left of Parswanatha Basadi and in fact this is the biggest of all the Basadis on this hill. Here one finds the image of Adinatha Thirthankara and also of pampavathi in the Kaisale.

Ø Chandragupta Basadi : It is situated to the north of Kattale Basadi. This is perhaps the smallest of all the Basadis. The beautiful workmanship of architecture found in this monument relates to the 12th century.

Ø Shasana Basadi : Because of the inscription in front of it, it is called like that, it has got a Garbhagruha, Sukhnasi and Navaranga. All are dedicated to the worship of Adinatha and Gomukha and Chakreshwari, the Yaksha and Yakshi.

Ø Majjigana Basadi: Dedicated to worship of Ananthanatha, the 14th Thirthankara.

Ø Chandraprabha Basadi: Located to the west of Shasana Basadi, it is dedicated to the worship of the Eight Thirthankara, Chandraprabha. The images of Shyama and Jwalamalini, Yaksha and Yakshi are to be found.

Ø Suparswanatha Basadi : Seven headed serpent is carved over the head of the image.

Ø Chavundaraya Basadi : This Basadi is said to have been got constructed in 982 A.D. by Chavundaraya as per inscription. It is dedicated to the worship of Neminathaswamy, the 22nd Thirthankara. The monument reveals workmanship of the Ganga and the Hoysala periods. This is constructed as the most beautiful of all the Basadis.

Ø Yeradukatte Basadi : It is located opposite to the Chavundaraya Basadi. The image of Adinatha is found inside with Yaksha and Yakshi.

Ø Savathigandharvana Basadi : It is dedicated to the worship of Shanthinatha, the 16th Thirthankara. It s seen from the inscription on the pedestal of the image that this Basadi was got constructed by Shanthaladevi, the queen of Vishnuvardhana, in 1123A.D.

Ø Tyerina Basadi : Resembling a Ratha.(Palanquin)

Ø Shanteswara Basadi.

Ø Iruve Brahmadevara temple : The image of Brahma is carved out of a solid rock on a miniature scale.

Ø Kanchina Pond and Lakki Pond: These are ponds.

o The Bhandara Basadi : Dedicated to the worship of 24 Thirthankaras. It is named after treasure of Hoysala king Narasimha. It has got a Garbhagruha. Suknasi and Navaranga. The image in Indian dancing pose is beautifully carved.

o Akkana Basadi : Dedicated to the worship of Parswanatha, it is constructed in Hoysala style. There is beautiful architecture inside the temple.

o Sidhanta Basadi : In this Basadi located to the west of the enclosure to Akkana Basadi were secured books relating to the Jain Sidhantha, in a dark room.

o General : It is interesting to note that round about Sravanbelagola there are beautiful monuments of Hoysala style particularly in Jinanthapura and Kambadahalli.

The monuments of Sravanabelagola are a display of artistic excellence, architectural genius and intense devotion to religion. A visit to Sravanabelagola will reveal the grandeur and beauty of art and architecture of the distant past. They stand prominent as ennobling edifices and enliven the career of the artist, the devotee and the historian, who will grudge to acknowledge that these monuments are living testimonies symbolizing the neatness of our nation in the fields of art, architecture and administration.

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(((((((((satish)))))))))

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